Black Market Clash approaches the music of The Clash with a reverence for its depth and complexity, presenting a considered exploration of the band’s vast and varied repertoire. The Australian-based ensemble from Melbourne brings together musicians whose seasoned instincts and energetic performances create shows as compelling as the originals they honour.

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The setlist reflects The Clash’s evolution, from the fiery rebellion of White Riot and the anthemic charge of London Calling to the reflective melancholy of Lost In The Supermarket and the haunting resonance of Straight To Hell. Anthems like Should I Stay Or Should I Go and Rock The Casbah showcase the band’s ability to craft infectious, bona fide hits while retaining their rebellious spirit. The layered storytelling of (White Man) In Hammersmith Palais captures Joe Strummer’s stark disillusionment at a reggae showcase, where the vibrant defiance he craved was replaced by polished pop acts and choreographed routines that fell far from the “roots rock rebellion” he had envisioned. The song itself serves as a bridge between The Clash’s raw, early material and the burning ambitions of their musical and lyrical aspirations, marking a pivotal moment in their creative trajectory.

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Tracks like Clampdown and The Guns Of Brixton project political urgency, while Bankrobber and Junior Murvin's Police & Thieves highlight The Clash’s deep engagement with reggae and dub influences. Even lesser-played pieces, such as the cinematic The Card Cheat, with its Phil Spector-inspired production, reveal the band’s creative vision, offering moments of grandeur and introspection.

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Victor Stranges (The Methinks, The Futurists) and Garry Allen (Crossbones Boogie) share guitar duties and lead vocals, echoing the interplay of Joe Strummer and Mick Jones with natural synergy and a commanding presence. Their voices deliver The Clash’s lyrics with intensity and respect, capturing the raw emotion and thoughtfulness of the originals.

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Stu Thomas (Dave Graney & The MistLY, Kim Salmon & The Surrealists) anchors the band with his dynamic bass playing, providing a robust rhythmic foundation while stepping up for a compelling vocal performance on The Guns Of Brixton, channeling Paul Simonon’s spirit and charisma. He also contributes backing vocals, further enhancing the band’s rich and layered sound.

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Mike Dupp (The Methinks, The Futurists) brings skill on organ and keys, enriching the arrangements, capturing the lush textures of the London Calling album and beyond while enhancing the band’s energetic sound with a touch of depth and sophistication. While The Clash was a four-member group, they often collaborated live with Micky Gallagher (Ian Dury & The Blockheads), whose keyboard work added what Stranges describes as “fairy dust” to their performances, subtly transforming the songs and enriching their sound. Dupp channels that spirit, bringing his own nuanced approach to the material.

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Completing the ensemble is Gian Cannizzaro (Chloe Booth), the youngest member of the group, whose drumming evokes the versatility and precision of Topper Headon. Balancing the hard-driving energy of punk with the nuanced dexterity of jazz and soul, Cannizzaro’s performance underscores the band’s ability to navigate the full breadth of The Clash’s catalogue with authenticity and finesse.

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Together, Black Market Clash delivers a high-energy and immersive tribute to one of the most influential bands of the 20th century. With energetic performances and a deep respect for the material, they honour The Clash’s legacy while celebrating the authenticity of their approach to the music. 

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